Category Archives: Movies
In case you missed them, here are the top five blog posts that I wrote in 2018, in order of how many reads they received. Click on each link to read the post:
The film Paul, Apostle of Christ, is unlike some recent Bible films that retell the story from scripture. This film creates a fictional story of the Gospel writer Luke (played by Jim Caviezel), who seeks out the apostle Paul (played by James Faulkner) in prison in Rome, to collect stories for the Acts of the Apostle.
All of the story of the film is set in Rome, with Luke going back and forth from visits to Paul in prison, to visits with the Christian community hiding in Rome, led by the Biblical personalities Aquila and Priscilla. Thus, it is a slow-moving plot. However, it uses these scenes to show the violent persecution of Christians by Emperor Nero, and for Paul to flash back to memories of his own persecution of Christians before coming to the faith. The Roman commander of the prison who has a sick daughter becomes involved in the fictional storyline, which serves to further illustrate the Christian faith and martyrdom of Paul.
While the plot moves slowly, this film is not so much about the plot as it is about the characters and what they experienced, and the characters are developed well, helping you feel the emotion and real struggles of trying to have faith in God in a dark and evil world. Faulkner is very convincing as Paul. Aquila and Priscilla also portray a Christian married couple who show respect and love for each other. The acting, costumes, scenery, music and cinematography are outstanding.
Although most of the film is fictional, it seeks to carefully follow what is known from the Bible. For example, the film shows Luke making sure a letter is delivered from Paul to Timothy, and quotes extensively from Paul’s Second Letter to Timothy. A study of the last part of that letter mentioned “Only Luke is with me” (2 Timothy 4:11) and sends greetings to Priscilla and Aquila (2 Timothy 4:19), whom the film depicts as escaping Rome to be with Timothy.
Especially powerful is how the film deals with Paul’s inner struggle with guilt over killing Christians, yet accepting Christ’s grace and forgiveness. This is beautifully resolved at the end of the movie in a particularly moving scene. The film should spark great discussions about what it is like to live out the faith in a non-Christian world.
My wife and I were deeply moved by the new film, I Can Only Imagine. I was so emotional that I had to compose myself before I could drive home– it was that powerful.
You may know the song, but do you know the story behind the song? “I Can Only Imagine” by Bart Millard of the Christian band Mercy Me is the best-selling, most-played Christian single of all time. The new film by the same title tells the moving true story of the songwriter and how he wrote the song.
The film tells how Bart Millard’s father abused him and his mother, and constantly told Bart he was not good enough. [Spoiler alert—skip the rest of this paragraph if you don’t want to know the basic plot.] Thanks to a football injury and a music teacher’s insistence, Bart discovered he had a gift to sing. When his father told him to forget his dreams, he left home, turned his back on the girlfriend who loved him, and tried to escape his troubles by singing with a traveling band.
I won’t give away the ending, because the circumstances of how he recorded the song have surprising twists and turns along the way, but suffice to say that Bart had to face his fears to reach his dreams. And yes, the film dramatically presents the full song near the end of the film.
Dennis Quaid is amazing as the actor playing Bart’s abusive father. People who have endured abuse will feel the pain Bart feels from his father, but many people with sins in their own past, like myself, will identify with the pain of the father himself.
This is a Christian film, but it is not “preachy.” The story is raw, real and unapologetically soaked with the hope of the gospel. Go see this film if you like music, if you like romance, if your dreams have been crushed, if you have been abused, if you have abused someone, if you have a broken home, if you are grieving the death of a loved one, if you need forgiveness, if you need to forgive, and if you need hope.
In case you missed them, here are the top five blog posts that I wrote in 2017, in order of how many reads they received. Click on each link to read the post:
My wife and I saw the sneak preview of the new motion picture, The Shack. I posted a review earlier of the bestselling book (click here to read it) of the same title by William Paul Young, so I wanted to follow up with this review of the movie.
The Shack is a deeply emotional film about a man named Mack Phillips, played by Sam Worthington, who is angry at God because of the abusive and tragic circumstances he experienced as a child and as an adult. The film tells the story of a deeply personal tragedy that occurs at a shack in the woods, and how Mack gets a letter from God, inviting him to return to the shack and deal with his pain. Mack returns, and there meets God in three persons, who engage him in experiences and conversations that allow him to rediscover the goodness of God. After he resolves these issues and learns to accept forgiveness and give forgiveness, Mack returns to his family a changed man. The plot uses flashbacks to tell about the tragedies in his life. Much of the story is framed as a visionary dream, which is a major departure from the plot of the original book. The plot moves well at the beginning and the end, although it may seem a bit long in the middle, if you are not engaged in the conversations.
Octavia Spencer plays “Papa,” a character representing God the Father, who appears to Mack as an affectionate African-American woman. She explains that since Mack could not relate to God as a father, due to his childhood experiences with an abusive father, Papa has chosen to appear as a mother figure. In fact, all three persons of the Trinity are there. The Son, representing Jesus, is a Middle Eastern man, played by Abraham Aviv Alush, and Sarayu (the Spirit), played by Sumire Matsubara, is represented by a young Asian woman who glows and shines and sometimes just disappears. Although God is represented as three different persons, they act in unison, as one person continues a conversation with Mack that he had earlier with the other person.
The movie deals powerfully with the question of why God allows suffering. Papa, The Son, and Sarayu do not offer easy answers, but they help Mack to get a bigger picture of how God loves, forgives and redeems. For example, when Mack angrily tells Papa that Papa could not be good and allow the Son to suffer on the cross, Papa shows nail scars in her own wrist, and says with tears, “Don’t think that I wasn’t also there when my Son died.” In another scene, Jesus sends Mack on a path to a cave where he meets a female called Wisdom, who lets Mack sit in the judgment seat of God and see what it is like to be a judge, an experience that overwhelms him, reminding him that no human should try to play God, and also hinting at the reason Jesus had to die for our sins. Unfortunately, the emphasis on God’s love is so strong, that a balanced statement about God’s holiness is lacking. God reminds Mack that sin has consequences, but when Mack bluntly asks Papa about God’s wrath, Papa could have said that God is holy and offended by sin, but instead only emphasized God’s goodness and love.
The film quality
This is a quality film production. There are breathtaking nature scenes, scenes filled with color and light, darkness and drama. The music is engaging, but not distracting. The main actors and supporting cast are all convincing in their roles. Octavia Spencer exudes love and kindness as Papa, and Sam Worthington explodes with emotion and pain as Mack. Country singer Tim McGraw does a good job as a supporting actor, playing Mack’s friend, who becomes a narrator of the story.
Comparisons with the book
Fans of the book will probably also like the movie, and some critics of the book may like the movie better than the book. I don’t remember hearing any profanity in the movie, although the book has some profanity. The portrayal of God the Father as a woman is explained sooner and more clearly in the movie than in the book. There were several passages in the book that critics accused of teaching universal salvation (that all people will go to heaven), particularly some conversations Mack had with the persons of the Trinity. Most of those controversial conversations do not occur in the movie, although the movie does repeat the words of Jesus that He is not a “Christian” (which came across as humorous to me both in the book and film.) The movie puts more emphasis on God’s love than on God’s judgment, although it it reminds the viewer that God does make judgments of heaven and hell and that sin does have consequences. After the movie was over, I asked my wife, who has not read the book, if she thought the movie taught universal salvation, and she said, “Not at all.”
Spoiler alert: If you have read the book, you will notice that the movie ends a little differently. It makes the whole encounter at the shack into a visionary dream, and while the book has Mack actually finding his daughter’s body and giving it a proper burial, the movie shows that happening as part of his dream. Then the movie focuses at the end on Mack going to church with his family and having a new faith in God. The movie added the friend as a narrator of the story at the beginning and end, which I thought was a good framing device for the story.
I liked the original book, despite its flaws, but I liked the movie even more. What I like the most is that it deals with the important issues of pain, suffering, the redemption God offers through Jesus Christ. I wept several times as I thought about my own sin and need for forgiveness, and it moved me to want to be more forgiving towards others. My wife commented that the story touches nearly every person at some level in their lives. This film offers a vivid story that can open up discussions with our friends and neighbors about how our hope is found, not in an old rustic shack, but on an old rugged cross.
The Shack is a motion picture being released on March 3, 2017. It has a Christian message, yet some Christians are calling the movie heresy. What’s going on?
The movie is based on the bestseller of the same name by William Paul Young. (This is a review of the book. You can read my review of the movie by clicking here.) It is a deeply emotional story about why God allows suffering. The main character, Mack, gets a note from God, asking him to return to the shack where his young daughter had been murdered. Mack goes, and finds answers to his questions and doubts about God’s goodness. Sounds inspiring, doesn’t it? Then why the controversy?
Negative elements in the book
Many people are bothered by the portrayal of the Trinity in the book. God the Father appears as a black woman who goes by the name “Papa,” Jesus appears as a Middle Eastern man, and the Holy Spirit appears as an Asian woman named Sarayu (Sanskrit for “wind”) whom you can see through. Although they appear as three persons, they are shown as completely one, as they answer Mack in unison from time to time, and whenever he has a conversation with one of them, they always continue the conversations he had with the others. “Papa” reminds Mack that God is spirit, and since Mack had a poor relationship with his own father, he chose to reveal himself to Mack as a woman to get around his resistance. In fact, (spoiler warning: don’t read this next statement if you don’t want to know too much about the novel’s plot…) at the end of the book, after Mack is reconciled to his own father, “Papa” appears to Mack as a man.
Some people will be put off by a few uses of profanity in the book in the dialogue. There is one use of S.O.B., and a few other milder profanities spoken mostly in passages where the speaker is angry.
The most troubling part of the book occurs on page 182. Jesus is talking to Mack, and he says, “Those who love me come from every system that exists. They were Buddhists or Mormons, Baptists or Muslims, Democrats, Republicans and many who don’t vote or are not part of any Sunday morning or religious institutions…” At this point, Jesus appears to be teaching universalism, that everybody will be saved. It appears that Jesus is saying that He has taken people from any background and transformed them. Notice the next words that William Young has “Jesus” speak:
“…I have followers who were murderers and many who were self-righteous. Some were bankers and bookies, Americans and Iraqis, Jews and Palestinians. I have no desire to make them Christian, but I do want to join them in their transformation into sons and daughters of my Papa, into my brothers and sisters, into my Beloved.”
“‘Does that mean,’ asked Mack, ‘that all roads will lead to you?’
‘Not at all,’ smiled Jesus as he reached for the door handle to the shop. ‘Most roads don’t lead anywhere. What it does mean is that I will travel any road to find you.'”
Perhaps this is universalism, or perhaps it means that Jesus is the only way, but He will do what it takes to reach us. The only thing that is clear is that it is left unclear.
Positive elements in the book
The book does a beautiful job of showing that following Jesus is more a matter of relationship than religion. It illustrates how suffering cannot be understood because we cannot understand all of God’s purposes, thus we simply must trust God.
(Spoiler warning: skip this paragraph if you don’t want to know too much of the plot…) Perhaps the most powerful part of the book is when Mack is asked to “play God” and decide which three of his children will go to hell and which two will go to heaven. Mack’s reaction to this awful choice helps him see how God works through suffering.
There are several good quotations in the book:
“Grace doesn’t depend on suffering to exist, but where there is suffering you will find grace in many facets and colors.” (p. 185)
God says, “I am a verb. I am that I am. I will be who I will be. I am a verb! I am alive, dynamic, ever active, and moving. I am a being verb.” (p. 204)
God says, “Forgiveness is about forgetting, Mack. It is about letting go of another person’s throat.” (p. 224)
This is a review of The Shack, the book. The movie has several differences, so see my follow-up review of the actual film by clicking here. The movie has no profanity, and has fewer implications of universal salvation, as some of the above conversations that imply universalism are not in the film. Also, the depiction of God the Father as a woman is explained earlier and more clearly in the film.
Whatever your opinion about the depiction of the Trinity and other controversial elements in the book, it is an inspiring message of how God works through suffering that reminds us how we ultimately find hope not in the shack, but in the cross.
I loved Laura Hillenbrand’s bestselling book, Unbroken, about the amazing life of Louie Zamperini, so I was excited to hear that a movie version was being made. However, I was concerned when I heard reports that director Angelina Jolie had cut out the story of Zamperini’s Christian conversion.
The life of Louie Zamperini was made up of three inspiring stories of redemption: athlete, war hero, and Christian servant. Any one of these stories would make an great book or movie. The first story is how he was changed from a troubled boy into an Olympic runner through the inspiration of his big brother. The second story is how he survived air battles with the Japanese, a crash and 45 days afloat in the Pacific Ocean, and horrible torture in a Japanese P.O.W. camp through his personal determination. The third story is how he was saved from alcoholism, post-war trauma, a broken marriage, and bitterness toward the Japanese when he accepted Jesus Christ as his Lord and Savior at the Los Angeles evangelistic crusade in 1949 that made Billy Graham a world-famous preacher. The book tells all three of these stories; the movie tells the first two.
When I went to see the movie, I knew the conversion story would not be told, so I went with low expectations. I was pleasantly surprised to see that the movie did include the same foreshadowing of his spiritual conversion that is found in the book: the Christian message he heard growing up in an Italian Catholic home with a praying mother, and the promise he made to God when adrift in the ocean that if God would save him, he would serve Him the rest of his life. The movie ends with his homecoming after the war, but the text on the screen briefly tells the viewer that Zamperini “made good” on his promise to serve God, and that he returned to Japan to forgive his captors.
So the story of Zamperini’s faith is not omitted from the movie, but it is greatly abbreviated. The movie itself is very well done. The acting, filming, musical score and drama is top-notch and faithful to the story found in the first two parts of the book. If you have read the book, you will still enjoy the movie. If you have not read the book, I encourage you to see the movie and then read Laura Hillenbrand’s book to get “the rest of the story.”