The film Paul, Apostle of Christ, is unlike some recent Bible films that retell the story from scripture. This film creates a fictional story of the Gospel writer Luke (played by Jim Caviezel), who seeks out the apostle Paul (played by James Faulkner) in prison in Rome, to collect stories for the Acts of the Apostle.
All of the story of the film is set in Rome, with Luke going back and forth from visits to Paul in prison, to visits with the Christian community hiding in Rome, led by the Biblical personalities Aquila and Priscilla. Thus, it is a slow-moving plot. However, it uses these scenes to show the violent persecution of Christians by Emperor Nero, and for Paul to flash back to memories of his own persecution of Christians before coming to the faith. The Roman commander of the prison who has a sick daughter becomes involved in the fictional storyline, which serves to further illustrate the Christian faith and martyrdom of Paul.
While the plot moves slowly, this film is not so much about the plot as it is about the characters and what they experienced, and the characters are developed well, helping you feel the emotion and real struggles of trying to have faith in God in a dark and evil world. Faulkner is very convincing as Paul. Aquila and Priscilla also portray a Christian married couple who show respect and love for each other. The acting, costumes, scenery, music and cinematography are outstanding.
Although most of the film is fictional, it seeks to carefully follow what is known from the Bible. For example, the film shows Luke making sure a letter is delivered from Paul to Timothy, and quotes extensively from Paul’s Second Letter to Timothy. A study of the last part of that letter mentioned “Only Luke is with me” (2 Timothy 4:11) and sends greetings to Priscilla and Aquila (2 Timothy 4:19), whom the film depicts as escaping Rome to be with Timothy.
Especially powerful is how the film deals with Paul’s inner struggle with guilt over killing Christians, yet accepting Christ’s grace and forgiveness. This is beautifully resolved at the end of the movie in a particularly moving scene. The film should spark great discussions about what it is like to live out the faith in a non-Christian world.