The July 1, 2017 issue of World magazine features four books with LGBT storylines that parents should be aware of:
Ashes to Asheville by Sarah Dooley. (Target audience: ages 14 and up.) Set at a time before legalized same-sex marriage, Dooley’s second novel has 12-year-old “Fella” mourning her mother’s death and the disintegration of the only family she has known: Two moms and sister Zany. The story emphasizes prejudice and unfriendly laws, but it speaks louder of brokenness and confusion.
The Best Man by Richard Peck. (Target audience: ages 12 and up.) Archer Magill is slow to realize his fifth-grade teacher is gay and dating Archer’s uncle. Archer and those around him naïvely accept the relationship, which culminates in a wedding.
In Our Mothers’ House by Patricia Polacco. (Target audience: 8 and up.) A picture book told from a child’s perspective, two mothers—Marmee and Meema—appear fully able to offer their three adopted children a loving home. One neighbor snubs them and keeps her kids away, fuming, “I don’t appreciate what you two are!” A hateful neighbor, not the absence of a father, hurts them.
Magnus Chase and the Gods of Asgard: The Hammer of Thor by Rick Riordan. (Target audience: ages 10-13.) Parents and fans of Riordan’s wildly popular books should know that this second installment in his Nordic-themed fantasy series introduces a transgender, “gender-fluid” character, Alex Fierro. A son of Loki with a tumultuous past, “she” spontaneously changes gender and pronouns on any given day.
For more information, consult World magazine, an excellent news and culture magazine that writes from a Biblical worldview. Their website is www.wng.org.
The Shack is a motion picture being released on March 3, 2017. It has a Christian message, yet some Christians are calling the movie heresy. What’s going on?
The movie is based on the bestseller of the same name by William Paul Young. (This is a review of the book. You can read my review of the movie by clicking here.) It is a deeply emotional story about why God allows suffering. The main character, Mack, gets a note from God, asking him to return to the shack where his young daughter had been murdered. Mack goes, and finds answers to his questions and doubts about God’s goodness. Sounds inspiring, doesn’t it? Then why the controversy?
Negative elements in the book
Many people are bothered by the portrayal of the Trinity in the book. God the Father appears as a black woman who goes by the name “Papa,” Jesus appears as a Middle Eastern man, and the Holy Spirit appears as an Asian woman named Sarayu (Sanskrit for “wind”) whom you can see through. Although they appear as three persons, they are shown as completely one, as they answer Mack in unison from time to time, and whenever he has a conversation with one of them, they always continue the conversations he had with the others. “Papa” reminds Mack that God is spirit, and since Mack had a poor relationship with his own father, he chose to reveal himself to Mack as a woman to get around his resistance. In fact, (spoiler warning: don’t read this next statement if you don’t want to know too much about the novel’s plot…) at the end of the book, after Mack is reconciled to his own father, “Papa” appears to Mack as a man.
Some people will be put off by a few uses of profanity in the book in the dialogue. There is one use of S.O.B., and a few other milder profanities spoken mostly in passages where the speaker is angry.
The most troubling part of the book occurs on page 182. Jesus is talking to Mack, and he says, “Those who love me come from every system that exists. They were Buddhists or Mormons, Baptists or Muslims, Democrats, Republicans and many who don’t vote or are not part of any Sunday morning or religious institutions…” At this point, Jesus appears to be teaching universalism, that everybody will be saved. It appears that Jesus is saying that He has taken people from any background and transformed them. Notice the next words that William Young has “Jesus” speak:
“…I have followers who were murderers and many who were self-righteous. Some were bankers and bookies, Americans and Iraqis, Jews and Palestinians. I have no desire to make them Christian, but I do want to join them in their transformation into sons and daughters of my Papa, into my brothers and sisters, into my Beloved.”
“‘Does that mean,’ asked Mack, ‘that all roads will lead to you?’
‘Not at all,’ smiled Jesus as he reached for the door handle to the shop. ‘Most roads don’t lead anywhere. What it does mean is that I will travel any road to find you.'”
Perhaps this is universalism, or perhaps it means that Jesus is the only way, but He will do what it takes to reach us. The only thing that is clear is that it is left unclear.
Positive elements in the book
The book does a beautiful job of showing that following Jesus is more a matter of relationship than religion. It illustrates how suffering cannot be understood because we cannot understand all of God’s purposes, thus we simply must trust God.
(Spoiler warning: skip this paragraph if you don’t want to know too much of the plot…) Perhaps the most powerful part of the book is when Mack is asked to “play God” and decide which three of his children will go to hell and which two will go to heaven. Mack’s reaction to this awful choice helps him see how God works through suffering.
There are several good quotations in the book:
“Grace doesn’t depend on suffering to exist, but where there is suffering you will find grace in many facets and colors.” (p. 185)
God says, “I am a verb. I am that I am. I will be who I will be. I am a verb! I am alive, dynamic, ever active, and moving. I am a being verb.” (p. 204)
God says, “Forgiveness is about forgetting, Mack. It is about letting go of another person’s throat.” (p. 224)
This is a review of The Shack, the book. The movie has several differences, so see my follow-up review of the actual film by clicking here. The movie has no profanity, and has fewer implications of universal salvation, as some of the above conversations that imply universalism are not in the film. Also, the depiction of God the Father as a woman is explained earlier and more clearly in the film.
Whatever your opinion about the depiction of the Trinity and other controversial elements in the book, it is an inspiring message of how God works through suffering that reminds us how we ultimately find hope not in the shack, but in the cross.
“Today is Nazo Heydo’s wedding. The day she will set herself on fire.”
Thus begins What Comes with the Dust: Goes with the Wind, Gharbi Mustafa’s gripping novel about women who survive the abuses of the Islamic State.
I have read Gharbi Mustafa’s first novel, When Mountains Weep, which is the story of a Kurdish boy coming of age when Iraqi dictator Saddam Hussein tried to exterminate the Kurds. I knew Mustafa was as excellent novelist, so I was looking forward to this second novel about the suffering of Yazidi Kurds under ISIS. I was totally blown away by this new book. Mustafa’s first book was very good; this book is great.
What Comes with the Dust: Goes with the Wind is a long title, which comes from the Yazidi religious legends that are explained in the book. It is a story about two Yazidi women, Nazo and Soz, and their struggle to survive. Nazo must escape slavery from ISIS to reach her forbidden lover. Soz is a female soldier who fights ISIS but also struggles with a secret love. Their fates are intertwined in a heart-wrenching story taken directly from the events we see on the daily news.
In 2014, the world watched in horror as Kurdish helicopters dropped relief supplies and tried to rescue thousands of Yazidis on Shingal Mountain in Iraqi Kurdistan, trapped there by ISIS. Since then, the United Nations has recognized the Yazidis re the targets of genocide by the Islamic State.
Who are these Yazidis? Why are the Kurds so eager to rescue them? Why is ISIS so eager to destroy them? This novel answers these questions, even though it is a work of fiction. In story form, the novel unravels the mysteries of the Middle East to western readers. Along the way, Mustafa shows us the mysterious religion and culture of the Yazidis, and contrasts these peaceful people with the fanatical cruelty of ISIS. Rich in culture and characters, and jarring in its account of jihadist brutality, it is a story that keeps the reader turning the pages to the end. I simply could not put it down until I finished.
Gharbi Mustafa is uniquely qualified to write this story. A Kurd himself, Mustafa is professor of English at the University of Dohuk in the Kurdish region of northern Iraq. He has personally interviewed Yazidi women who escaped ISIS, and knows the culture like few writers in the English language. As a novelist, he writes in a way that is at once deeply moving and enlightening. It is well worth the two hours and 200 pages.